zombeesknees:

#this entire scene is a fucking masterpiece  #the building tension in Barbossa’s cabin  #the strings in the score rising ominously  #and then the entire movie turns on a /dime/  #‘oh okay’  #I remember thinking  #‘fucking GHOST PIRATES’  #it drops from historical swashbuckler to fantasy swashbuckler in one set piece  #in which the rules for how the crew work are given to you purely in visuals  #and you get to see that sharp difference between horror-horror and fun horror  #because this scene genuinely terrifies Elizabeth  #and delights /you/  #instead of being awful for both of you  #god
it’s just so neatly done and raises the stakes for the film and puts
everything into context and adds depth to the characters 
#and comes as a complete surprise  #this is all the things you want in a set piece  #we should all aspire to storytelling so economical  #(incidentally so should THE SEQUELS  #christ)  (via wizzard890)

badgrapple:

scotsdragon:

thefingerfuckingfemalefury:

mirrorfalls:

moon-crater:

aesthethiicc:

A Christmas Carol is so wild to me because it takes not one, not two, but like four fucking ghosts to convince this dude not to be the biggest douche in the universe. Like, four fucking ghosts came back from the dead, rose from the Goddamn grave to be like, “I came back from the dead because you need to quit your shit.” Fuck. How big of an asshole do you have to be to have four fucking ghosts tell you to stop?

Have you ever met a rich capitalist

Also, one of those ghosts was a rich capitalist douche. He needed to reform Scrooge to work off his own sentence, didn’t he?

Marley’s ghost basically told Scrooge that if he kept being a greedy douchebag he would go to hell and Scrooge still needed convincing and that honestly is 100% believable to me

That an old rich white guy being told “Your going to hell unless you help the poor” would respond by going “I still kind of want to NOT help the poor tho?”

Charlie Dickens knew what was up.

Dickens had to work in a factory hos entire childhood. His father was thrown in a debtor’s prison. Thats why all his stories are about rich fucks getting owned.

pumpernickelandcoal:

avatar-dacia:

crispy-ghee:

juliedillon:

This is an illustration I did for the August 2014 issue of Popular Science Magazine. The assignment was to show a scifi take on human aging in the future. I wanted to do something relatively positive, so I drew a lady whose life has been been prolonged through cybernetic enhancements and augmentation, so she gets to spend time with her great-great-great-great grandchildren. 

Thanks to AD Michelle Mruk!

this is beautiful

So I keep wanting to reblog Cyborg Matriarch here, but I keep losing track of her.

She’s not getting away this time.

I really want a sci-fi story to go with this.