
Antoinette Sibley in The Dream (Royal Ballet)

“Ballet embraces the soft, ethereal and majestic side to women, and yet we often don’t see the media portray black women in this light. My project aims to reveal that women of color possess these qualities. We too are capable of portraying the princess, fairy and swan.”
—Aesha Ash
Aesha Ash’s prestigious career has included world class roles. Yet she’s now on to a different mission, with three big goals. She wishes to see ballet become more diverse. She hopes to inspire youth from rough areas to pursue their dreams. And she wants to show the world that tough environments can’t hold back talented people, especially those with ambition.
Aesha performed professionally for 13 years. She attended the legendary School of American Ballet; joined the New York City Ballet at age 18; and has danced solo and principal roles for companies like the Béjart Ballet in Lausanne, Switzerland, and the Alonzo King Lines Ballet in San Francisco. Now she’s focused on The Swan Dreams Project, in which she uses imagery to tackle stereotypes placed on black women. Aesha commissions photographers to snap her as a ballerina in her hometown of rugged Rochester, New York, and in Richmond, California, and then donates proceeds from photo sales to organizations helping advance inner city youth. She also donates images to organizations for their fundraisers and to people seeking more positive imagery for their children or groups.
The dancer points out that black women have always existed in ballet, yet few become principals, the highest tier of dancers. When Misty Copeland became the first black female principal with the prestigious American Ballet Theatre last summer, Aesha found the milestone a moment to celebrate, yet sad and troubling that in 2016, we’re still celebrating a first. She hopes The Swan Dreams project will give more dancers — and youths in general — the chance to be celebrated for their own talents.
Rochester has one of America’s highest crime rates. But Aesha hits the streets to prove that her hometown is more than violence and gangs. That’s where her Swan Dreams Project comes in. “My community saw that out of our environment came a ballerina, not just negativity — a little black girl from inner city Rochester actually went on to become a professional ballet dancer in a top-tiered company,” Aesha said in a one-on-one interview for this report. “Youth followed me on the street saying, ‘This is what we need. This lifts us up.’”
so there’s this guy in three of my dance classes
and first off, I’m 5’7, 5’11 in dance shoes, 170 pounds, broad shoulders and big hips and not small in any dimension. For a ballroom dancer, this means a lot of time spent learning the men’s parts. Especially in lifts.
I’ve had years now of guys kinda just going “lol heck naw” when told to lift me. I don’t admit this part much, but it makes me want to sink into the ground and die when every other girl can be lifted, but I’m just too big.
So this guy, smaller than me and really cute, shows up at auditions and I see this girl across the room getting tossed about like the beautiful pixie she is, and apparently I looked a little wistful because this boy asked me if I liked lifts.
“Oh. I… Uh… I’ve never really done the girls part. I’m a little big, haha…” (laugh it off, as usual.)
He looked me dead in the eye and then picked me up like a movie princess, bounced me in the air a few times, and set me down effortlessly while telling me whoever refused to lift me before was just being a lazy wimp.
I seriously doubt this boy will ever really get how much that meant to me. But, holy cow. Some faith in humanity just got restored.
Magical Boy of Body Positivity
This is beautiful


Slavic Cossack dancing known as Hopak
Warning: Do not try this at home unless you were born with super Slavic knee strength
THE GUY AT THE END
Ahahah it’s not just knee strength you need, friend. It’s thighs, ass, ankles, calves, you need everything from your waist down to be horrifyingly fit and toned for this.
Also core strength. So include the waist. Everything from the nipples down.
Don’t forget absurd back flexibility