At least eight islands in the Pacific have already disappeared because of rising sea levels. Over the next century many communities, including my family, will be displaced and lose their ancestral lands and foundation of their cultural practices. Trump removing the US from the Paris Agreement, taking climate change off the National Security Strategy, and repealing the Clean Power Plan is a slap in the face and to me, intensely personal. PLEASE contact your representatives regarding climate change and taking steps to counteract the potentially irreversible harm Trump is doing to our planet.
I am working on setting up an online store in the next month or so and it will include all of my Disney Resists prints! 10% of everything in my shop will go to the ACLU and other civil rights groups putting in the time this past year 💛
While we’re at it Tarzan could get it too. White dreads and all.
hey baize do you accept criticism on your posts
he’s a british man from the 1800s, he’s probably not circumcised, and he’s been living with gorillas. it doesn’t matter what he’s packing he’s probably got some of the strongest aged dick cheese under his hood…
Gorillas are actually pretty clean animals, and a nice river bath before the great dickdown of 1892 would clear any remains dirt right up
*throws holy water on this post*
*Washes Tarzans cock (yeah, I said it) with it
My ex and i were watching that a few years ago and she absolutely ruined the whole movie for me by saying “so how bad to you think he destroyed jane’s pussy the first time because gorilla’s ain’t exactly bout that gentle lovin”
She probably had months of construction work after the first time. Probably had to build a whole new pussy from scratch
We need more discussions like this
Thank you! The Tarzan dickscourse is so important. Like did you see the size of his thighs? If the dick didn’t kill you on contact the piston power from those thighs definitely would. Have you mad and crawling around the jungle like
She also has probably the most natural and healthy body shape out of all
Disney girls, she has rolls on her belly for heavens sake!!! Healthy
body representation!!
In The Lion King, unlike the other lions, Scar’s claws are always displayed throughout the movie.
In The Little Mermaid (1998) when King Triton is introduced, you can see Mickey, Donald, Goofy and Kermit the Frog in the crowd, underwater.
In Cars, the flies are actually tiny cars with wings.
In Hercules (1997) the Fates tell Hades all the planets will align but only show 6 planets aligning. These are the 5 planets plus Earth that the ancient Greeks were aware of and could see with the naked eye.
In Zootopia, while Officer Judy Hopps is ticketing cars around the city, she never crosses the street illegally. She always uses a crosswalk and looks both ways before crossing.
In monsters inc, sully’s chair has a hole in it to accommodate his tail.
In The Brave Little Toaster, all of the walls in the cottage are cleaned only as high as Blanky can reach.
In Cloudy with
a Chance of Meatballs, during the food storm the president’s of Mount
Rushmore get pied in the face but Abe gets hit in the back just like his
assassination.
In Cars the truck stop advertises “convertible waitresses” i.e., topless.
In Finding Nemo, Bruce the shark starts crying when Marlin starts talking about Nemo, saying “I never knew my father”. Male sharks mate with the female then leave, so baby sharks never actually meet their father.
The Magic Carpet from Aladdin makes an appearance in Moana.
In UP, there are craft supplies on the table by Ellie’s hospital bed when she gives the Adventure Book to Carl.
The hold up scene in the Incredibles is actually an homage to a similar scene from Die Hard with a Vengeance, which also starred Samuel L. Jackson.
In Toy Story 3 (2010) Buzz Lightyear’s batteries are exposed showing the Buy n Large brand, the same company responsible for making WALL·E.
In Ratatouille (2007) Anton Ego’s typewriter resembles a skull and his office a coffin.
In Monsters, Inc. (2001), there are multiple sizes of coffee cup for each of the different sized monsters.
In Toy Story 2 (1999), as the restorationist is going through his equipment, he opens a drawer filled with chess pieces. This is a reference to the Pixar short “Geri’s Game” where a similar looking man plays a game of chess against himself.
In Inside Out (2015) while going through Imagination Land a game box can be seen in the background with Nemo on it called Find Me.
In Cars, you can spot Sully and Mike in cars form!
At the end of Ratatouille (2007) Anton Ego is a little bit fatter. This is especially poignant since he states, “I don’t like food, I love it… if I don’t love it I don’t swallow.”
In Coco we can see The Incredibles poster.
Insuricare,
the company that offers “car life insurance” to the cars in Cars 2, is
the same company Bob Parr works for in The Incredibles.
In Inside Out (2015) two of the memory orbs on the shelves contain scenes from Up (2009). One features Carl & Ellie’s wedding, while the other shows their house.
In
Toy Story Woody is trapped in a crate which is stuck under a ‘Binford’
tool-box. Binford is the fictional tool company in the TV show Home
Improvement which starred Tim Allen, the voice of Buzz Lightyear.
In
The Incredibles, in Bob Parr’s home office, there’s a photo from a
fishing trip where it appears he caught Bruce from Finding Nemo.
In
Cars 2 (2011) while in a pub in London there is a tapestry on the wall
that is the DunBroch family tapestry from Brave (2012), except they are
portrayed as cars.
In “Ratatouille” (2007), Linguini has to hide Remy before his second
day of work. He offers to hide him in his pants, revealing his briefs
covered in The Incredibles logo.
After the plane is blown up in The Incredible, Helen (Elastigirl) knows the plane debris is going to fall on them due to seeing the reflection in the water.
Imagine hearing about Disney need someone with a hair PhD and finally being able to say:
“This is my time”.
AND THEN THERE WAS THIS REVOLUTION
I don’t remember which dreamworks movie that was, but I DO remember her hair being a big hoopla. Because curl bounce actually defies physics or something? At least when animating it?
She gie’d her mammy a cake, she turnt intae a big bear, and her old yin tried tae dae her in. If that’s no pure mess, I don’t know wut is. Simples.
I’ll be honest, I got the first part of that, and the last part. But there is an entire sentence in the middle, that evidently is about her father trying to kill her mother, that sounds completely unintelligible to me. I assumed it was another language – potentially Gaelic but honestly, I’ve never heard that spoken before so I was taking a guess there.
I watched Brave and had absolutely no trouble understanding the entire movie so they’re definitely increasing the accent here for comedic value. But also it’s not just an accent – that second part of the first sentence isn’t understandable even transcribed.
I’m
a weird one though – I grew up in an asian country (not white), and
somehow despite multi-lingual parents and siblings (as is expected in
that asian country), my only and mother tongue is English.
It’s no Gaelic, it is however Scots 🙂
“Big Yin” is a common Glasgow term, and this is important, cause Billy Connolly who voiced her Da, is from Glasgow. It’s also the name was known by during his rise to fame, and is still affectionately known as “The Big Yin”.
It basically means “the big man” (note: a person does not need to be tall or large in stature to be called the big man, sometimes it can mean something else like “boss” or “strong personality”). So yea. Was a nice wee addition to her dialogue, though they’ve made her more Weegie for sure.
“We looked initially at David Lean’s B&W classics, such as Great Expectations (1946) and Oliver Twist (1948), both shot by the amazing Guy Greene. They’re timeless, the cinematography is stunning, and they set very high bar to reach in they way they evoke emotions.
However, B&W movies are not the perfect visual references to show to studio executives wanting to make a big budget production in colour. So we also talked about certain painters that Ken [Branagh] and Dante [Ferretti, production designer] had in mind. The usual references for candle-lit period dramas are Flemish painters, such as Rembrandt and Vermeer. But these have been done many times over, and were not playful enough for Disney. That was the trick. For the more joyful moments in the movie, they asked me to consider the paintings of Fragonard, an often-overlooked artist. Fortunately, the UK has many of his works at The Wallace Collection in London. The Fragonards are colourful and playful, and I could see how they could open-up new cinematographic opportunities. The “The Swing” in particular, is slightly naughty and flirtatious, and there’s a direct reference to it in the movie.
For the darker, more wretched moments in the movie, we again avoided the typical references, and looked at the works of the French Baroque painter Georges De La Tour. They are unusual, dark, but with bold lighting and strong compositions. I’ve loved his work since being a student at Central St Martin’s and “Joseph The Carpenter” is a masterpiece.
Whilst these painterly references gave us two strong starting points to counterpoint the joy and drudgery within the story, we also wanted a way to treat the seemingly benign but evil step-mother – for her to appear more like a film noir femme fatale. So I suggested that we also consider the portraiture work of Joseph Walker, cinematographer on many of Frank Capra’s best-loved movies, inventor of the zoom lens, and a forerunner of the Hollywood glamour look, and also the large format portrait photography of George Hurrell, upon whom Walker had great influence.” — Haris Zambarloukos on finding the looks for the movie
rip tumblr 