tumblr meme culture is really just a form of neo dadaism
I’d like to clarify:
dada was a largely european art movement that took place after wwi. this time and place is not a coincidence. let me explain.
dada art made no sense. the artists who made dada lived in a world in which nothing made sense – in which conventional logic led to the senselessness of a world war. so, making art that made no sense, making – well, you can’t really call it art, so making ANTI-art that rejected the conventions that brought about that atrocity in the first place – it made total sense. (if that makes any sense.)
so the artists did weird things. new things! putting things that were already made together and calling it sculpture, cutting up bits of pictures and putting them together and calling that something to frame – this site has some nice examples.
but from my perspective – there’s serious intellectual continuity between the absurdity of attaching a bunch of tacks to the bottom of an iron, rendering it useless, and say…. bath bomb posts. Put a fucking macbook in a bath. it’s useless now. Nobody fucking cares anymore. you want something funny? you want a punchline? gun. that’s your punchline. Take it. I am laughing
in a way it could be a method of venting some of the frustration and hopelessness and dissatisfaction that tumblr’s userbase (largely, disenfranchised millennials) feels in the modern day. I can’t really speak for anyone else, but… at least from a US perspective, there’s plenty to be disillusioned about. growing up in a constant state of questionably justified war, income inequality, an economic recession caused by the actions of a handful of wealthy fucks who didn’t even get properly punished, growing awareness of police brutality, being called lazy and self-absorbed by the generations that gave us these problems in the first place… I can’t help but think that these factors (and more) could produce a similar mindset to the one that precipitated the first dada movement.
so of COURSE we make nonsense jokes. it’s a coping mechanism for a world which doesn’t make any sense.
related: this isn’t by tumblr but I have to plug UCLA’s atrocity of a virtual gallery once more. it really needs to be experienced, but… it’s definitely also millennial neo dada. from the presentation (like an unplayable video game) to the content (THE DOGS HAVE ARRIVED), it is exactly what I am talking about. it is a fucking shitpost. and it’s high art, too! I love this
tl;dr: my generation is fed up with this bullshit, and the best way that we can express that is by shitposting. alternatively, dada was an early precursor to modern shitposting and we should all thank duchamp for signing a fucking urinal
a dear friend has given a perfect update to some of my phrasing, courtesy of their word replace extension:
you see this? this is exactly what I’m fucking talking about. the thing that I’m talking about is:
I’d also say that while Dadaism was obsessed with the technological aspects of Modernity, of newspapers, of industrial mechanics and factory made clocks, neo-dadaism (of which shitposting but also the increasingly broad reach of the New Aesthetic and net aesthetics) is obsessed with the technological aspects of our time, or at the beginning of our time.
As just a comparison, the Clock in Absurdist and Dadaist art is both a symbol of the uplifting beginning of industrial relations (as one of the first complicated machines made by manufacturers, as the symbol of mankind’s ability to triumph and analyze nature and better ourselves) and as the deified symbol of horrific modernity (of demarcated time, labor hours, the oppression of the working class via managerial time), Neo-Dadaism/Absurdism has a similar relationship with early computers, which both symbolizes the utopian attitudes which we entered the digital age with, and the horrifying period we live in now, where the Digital is ever present and semi-deified.
My favorite dada satire is probably from Georges Grosz who takes the kind of robotic modernist tube people of folks like Leger:
and turns them into these mindlessly patriotic broken automatons chanting rote phrases:
And it’s so so funny to me that there’s all kinds of Gen X artists out there creating art about the millennials on their damn cellumar phones who think they’re the inheritors of this aesthetic but really it’s people who use the Madden gif generator to shitpost because they’re taking the technology meant for a coherent purpose for a particular narrative and they’re breaking it and turning it back on itself.
so we’ve tried explaining vaccines using science and that scared people
but what if
instead
we told them that vaccines actually contain magic rocks or healing energy
“we left this rabies vaccine in the light of a full moon to cleanse it, so it’s safe. everyone knows about the link between rabies and full moons :)”
“vaccination is an ancient practice going back at least hundreds of years that draws on your body’s natural healing abilities to let you fight disease naturally”
I’m reblogging myself because I read the source. The lead scientist involved theorized that it was going fast enough that A) it would not have burnt up in our atmosphere, and B) it would not have been caught in Earth’s orbit. Essentially meaning, the first man made object launched into space was a manhole cover that’s still traveling the cosmic abyss.
That’s not true though because the V2 rocket was the first object that entered what is considered space.
I did some research on the V2 just now. The V2 never left our atmosphere. So no, it didn’t make it to space. It made it into the upper levels of our atmosphere, almost into orbit. The manhole cover blew way past the V2s recorded height.
In 2013, Arlington-based Synetic Theater took their signature cinematic style to a new level when they flooded the stage with water for a production of The Tempest.
The physical theater company, well known for their wordless productions of Shakespeare plays, had previously created a water stage for their 2010 production of King Arthur. Known for their creative use of mixed media, Synetic Theater utilized the water to add an extra layer of magical realism to that production.
The Tempest was to be the 9th installment of Synetic’s popular Wordless Shakespeare series and Founding Artistic Director Paata Tsikurishvili was inspired to use a water stage by the way in which water is closely tied to the plot.
“The exiled Prospero is sent to an island, surrounded and inundated by water,” Tsikurshvili said. “His power and magic grows from it, and even the inciting action is created by water when Prospero uses a storm to bring his enemies to him.”
Water is a versatile theatrical element, conveying a variety of emotions and feelings. It can be at once dramatic, comical, magical, and lyrical. Additionally, the hypnotic combination of water and physical theater captivated audiences’ imaginations in a totally new way.
Once Tsikurishvili decided on the watery world his Tempest would be set in, he tapped Synetic’s Resident Stage Manager Marley Giggey and Technical Director Phil Charlwood to figure out the logistics of getting water into a pool onstage. “It was the strangest combination of terror and excitement I have ever experienced,” Giggey said of her first meeting about working on a water stage.
Technical Director Phil Charlwood had worked on King Arthur three years prior, and this time he strove to improve circumstances for the actors. The biggest challenge was keeping the water at a comfortable temperature. By using large heaters, Charlwood was able to keep the water warm during performances.
Charlwood also used his innovative design and building techniques to create one of the most compelling elements of the production, a piano fountain that served as an important piece of the set.
Filling the pools and keeping the water clean and safe fell to Giggey. “The water came from several hoses running from two sinks in the laundry room backstage and in the lobby,” she said. “The drain was a series of PVC pipes that connected together and went to a hose. We would bring out all the pipes and connect them – going out the loading dock door and leading to a floor drain in the parking garage that could accommodate all that water! Before each performance I would do a half drain and fill.
“We would drain about half of the pool and then fill it back up to show levels with hot water. On Fridays and Sundays we did a total drain of the pool and a very through scrub and clean. Then we let it dry for at least 12 hours before refilling. It was a time consuming process, but keeping the pool safe and clean was key.”
Once the water was on stage, Giggey was faced with more challenges. The stage lights made it difficult for the actors to consistently see the spike marks. This problem was solved with a grid system that allowed the actors to line themselves up with the left and downstage points.
The actors movement in the pool created a lot of splashing into the audience. Synetic offered branded ponchos to patrons in this “splash zone” and those seats became the most popular for the production.
Lighting designer Andrew Griffin enjoyed working with water and overcoming the challenge the water gave him in designing a light plot for the show.
“The light would reflect and refract because the water floor was reminiscent of a mirror,” he said. Griffin used several low-angled sidelights to exploit the angles of light that would scrape across the floor, rendering less of a reflected impact on the architecture of the space. This effect made it seem as though the water was dancing along with the characters. “Through a lot of careful planning, we created some pretty great effects,” said Griffin.
When working with water, there was also the question of mold and mildew – particularly concerning costumes. The costumes were all treated with camp spray to help waterproof them. “Cleaning the costumes was very tricky,” Giggey said. “They had to be thoroughly washed so we turned the back room of the theater into a ‘dry room’ with fans blowing from all directions and drip buckets to catch all the water. The last thing any actor wanted was to put on damp costumes or shoes when they came in the next day.”
Working with water required Synetic’s creative team to master a free-flowing element that is not easy to control consistently. Synetic was able to overcome many obstacles and use the water to their advantage with the help of various theatrical elements, all while taking the necessary steps to protect their performers.
The hours of maintenance required to keep the pool clean and functional and the additional challenges of working with water in a theatrical setting paid off. “It was a moment that was so immersive and dramatic that it was difficult to believe it was happening live in front of you,” Giggey said. “The energy in the theater as the actors were jumping, spinning, and splashing was electric!”
Overall, the creative team, crew, actors and audiences appreciated and valued this rare experience. The professionalism, ingenuity, and talent of the production crew, actors, and artistic team helped to make The Tempest Synetic’s highest grossing show to date.
[[ Source. Original creator: wats6831. Additional information and images linked under each one. ]]
Universal:
Homemade artisan herb bread, home grown and dried apples and prunes, uncured beef sausage, munster cheese. Made a small bag from cheesecloth and tied it closed.
Top left to right: Evereskan Honey Comb, Elven Travel Bread (Amaretto Liquer Cake with custom swirls), Lurien Spring Cheese (goat cheese with garlic, salt, spices and shallots), Delimbyr Vale Smoked Silverfin (Salmon), Honey Spiced Lichen (Kale Chips), and Silverwood Pine Nuts.
From upper left: “Honeytack” Hard tack honey cakes, beef sausage, pork sausage mini links, mini whole wheat toast, cranberry cheddar cheese mini wedge, mini pickles, pumpkin and sunflower seeds, lower right is my homemade “travel cake” muesli with raisins, golden prunes, honey, eggs and cream.
Orcs aren’t known for their great cuisine. Orcs prefer foods that are readily available (whatever can be had by raiding), and portable with little preparation, though they have a few racial delicacies. Toughs strips of lean meat, bones scavenged from recent kills, and dark coarse bread make up the bulk of common orc rations.Fire roasted rothe femur (marrow is a rare treat) [beef femur], Strips of dried meat (of unknown origin) [homemade goose jerky], foraged nuts, only edible by orcs….nut cracker tusks [brazil nuts], coarse black bread, made with whatever grains can be pillaged [black sesame bread], Pungent peppers [Habanero peppers stuffed with smoked fish and olives].
Lizardfolk are known to be omnivores, forage for a surprising variety of foods found within the confines of their marshy environs, in this case the Lizard Marsh near Daggerford. Fresh caught boiled Delimbyr Crayfish on wild chives, coastal carrageen moss entrapping estuary brine shrimp (irish moss, dried brine shrimp), Brackish-Berries (blackberries), Blackened Dart-Frog legs (frog legs) on spring sprouts (clover sprouts), roasted bog bugs on a stick!
From top left: Menzoberranzan black truffle rothe cheese (Black Knight Tilsit), Donigarten Moss Snails (Escargot in shallot butter sauce), Blind cave fish caviar in mushroom caps (Lumpfish caviar), faerzress infused duck egg imported from the surface Realms (Century egg), Black velvet ear fungus (Auricularia Black Fungus Mushroom).
if thanos wanted to kill off half of the population because there weren’t enough resources……..but then snapped half of the vegetation and animals (according to the russos)……..then isn’t he back at square one……………and there aren’t enough resources for the population……………
what about……..all of the empty and abandoned planets……..he couldn’t have restributed populations there? or like………..what about endangered species they’re pretty much gone now thanks to T Hanos…………..he really didn’t think this through………….
this is deadass what part 4 is gonna be. like he’s gonna realize “huh…. maybe this wasn’t a good idea” and reverse time.
Or he literally could have just doubled the resources
Maybe I’m wrong but all he would need is the Space Stone to teleport and redistribute resources + life. But I guess killing half of all life made more sense.
Or he could’ve just created more planets and teleported the halfs but a bitch is too dumb
He can throw a moon for a fight but teleporting some resources is too much work?
He can change reality but he uses it to fake his death and do a power point presentation?
He has the time stone, in which he could literally go back in time and save his home planet ….not by killing half of them …but by using these new powers?
rip tumblr 