If non black people want to damage the fuck out of their hair that’s fine, whatever, but don’t be calling the moldy ass shit you get as a result dreadlocks, dreads, or locs, because I promise you they aren’t.
Sincerely, someone who actually knows what the fuck they talking about.
Feel free to reblog if you aren’t black and against cultural appropriation
Seriously. White “dreadlocks” are literally just unwashed, matted, damaged hair. Knock it off, fellow white people jfc.
And miss me with that “but the vikings/irish had dreadlocks!!!” shit, because it’s not fucking true. Vikings and Celts were clean as fuck and commonly had intricately braided hair. Not nasty-ass matted “dreadlocks”.
Homecoming is the only MCU film where we see Tony Starkjustfrom an outside perspective, and it’s hilarious to finally see him the way people in-universe do: suave, Cool™, always in control, definitely not an unstable Jenga tower of self-loathing and anxiety who uses a Cool™ persona as a crutch because his sanity is held together by scotch tape…
It’s also the only movie where we see Steve from an outside perspective and that is objectively more hilarious.
White Diamond in the Diamond Authority Historical AU
this AU doesn’t have an official story, but secretly she’s the undead empress of a shattered Byzantium, immeasurably powerful and death-defying. Rumour has it she is old enough to remember the fall of Rome.
a girl in one of my classes sent out an email saying “you’ll be having a furry classmate this semester” and my heart stopped but she was talking about her service dog
If the fact that Glinda sings the alto part and Elphaba sings the soprano part in for good (because they’ve both taken from each other) in For Good doesn’t make you tear up a bit then I don’t know what does.
The only time in the play. Every other time they sing different notes, Glinda gets the high part, all dancing superficial sunshine, while Elphaba gets the deep supporting shadows; in “For Good”, Elphaba gives value to brightness and Glinda value to depth, because they do believe they have been changed for the better in knowing each other.
(Also note how through the vast majority of “Loathing” they share the same note, because neither can give up her hold on the starring melody, but “For Good” they can sing different melodies and words in perfect harmony and balance because they trust each other.)
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