actually when I was in 8th grade and obsessed with twilight my master plan as a twilight vampire was to sit around in famous shipwrecks like the super deep ones where they can only send robots with cameras from their submarines and when they sent one down i’d be sitting there, pretending to drink out of an old tea cup you know for the drama of it all and the guys in the submarine would know what they saw and that it was real footage but who else would believe them? no one important.
but it didn’t stop there. at the next party they threw to celebrate one of their latest finds, some museum-y banquet idk I was 13, I was going to show up. I was going to show up and make eye contact with them one at a time from across the room and they were going to lose their goddamn minds and then before the volturi could catch wind i was gonna be back in the ocean. how could they find me?
the drama. the theatrics. i can’t believe i didn’t realize i was gay right then but that’s another story, also involving vampires,
people talk about women being ‘emotional’ and ‘overreacting,’ but you don’t see a woman making an arch-nemesis out of an albino whale and obsessively chasing it down like a lunatic for 585 pages
since i made this post, i’d multiple women telling me they would absolutely hunt down a whale for an extended period out of a bloodthirsty desire for vengeance, and i want to apologize for engaging in gender stereotypes
The right is all about free speech until Michelle Wolf gives a moderately funny but extremely cutting stand up set to a room of rich bastards and suddenly free speech is secondary to civility and “a unifying message”
So to be clear: advocating ethnic genocide, misogyny, and war are all totally covered by free speech, but a comedian making fun of the government, the press who profits off of it, and reminding the world that flint still doesn’t have water is somehow going just a bit to far. Weird.
I’m starting to think y’all don’t really care about free speech after all and just wanna advocate for fascism without anyone telling you you’re a prick. Fucking alt right snowflakes. Toughen up.
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Loki really has the best character arc in the MCU.
In Thor, we see years of seething envy, spill out, magnified by the revelation that he is both adopted and a Jötunn; all of his insecurities seemingly confirmed and justified.
In Avengers, we see him at his rawest, and angriest after the events of Thor.
In The Dark World, we start to see the cracks in the facade of cold villainy. The shock at Odin’s condemnation, his intense love for his mother and the grief at her death, and above all, his clear happiness and excitement to be adventuring with Thor again. I left the theatre with the feeling that his warm praise of Thor in Odin’s guise might actually have been sincere.
In Thor Ragnarok, three things happen; Odin finally tells Loki he loves him. Thor and Loki become equals in a secret that Odin withheld from them both. Most importantly, Loki, who has felt like he was second best his entire life, finally realises that someone always loved him more than anyone else, and that it was Thor the whole time.
Which brings us back to Infinity War. At long last, Loki no longer feels aggrieved, and is comparatively content with his place in the universe. He dies defending the one thing left in the world that he loves.
That there is brilliant character writing and acting.
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